All Hallows: Story of the Eye

Does the title mean that Literature and Evil are inseparable?
I believe so. Of course this isn’t clear at first sight, but I think that if literature veers away from evil it becomes quickly boring.

“The horror and despair of so much bloody flesh, nauseating in part, and in part very beautiful…”

Only Georges Bataille could write, of an eyeball removed from a corpse, that “the caress of the eye over the skin is so utterly, so extraordinarily gentle, and the sensation is so bizarre that it has something of a rooster’s horrible crowing.” Bataille has been called a “metaphysician of evil,” specializing in blasphemy, profanation, and horror. Story of the Eye, written in 1928, is his best-known work; it is unashamedly surrealistic, both disgusting and fascinating, and packed with seemingly endless violations. It’s something of an underground classic, rediscovered by each new generation. Most recently, the Icelandic pop singer Björk Guðdmundsdóttir cites Story of the Eye as a major inspiration: she made a music video that alludes to Bataille’s erotic uses of eggs, and she plans to read an excerpt for an album. Warning: Story of the Eye is graphically sexual, and is only for adults who are not easily offended.

“…or alternatively it can pass from image to image, in which case its story is that of a migration, the cycle of the avatars it passes through, far removed from its original being, down the path of a particular imagination that distorts but never drops it.”

Roland Barthes

 

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Fernand Leger’s Ballet Mécanique

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